Lévy Gorvy Dayan presents the artist Tu Hongtao with “Beoynd Babel“. Th exhibition presents sweeping compositions in sumptuous hues that advance the artist’s use of abstraction as a means to engage with memory, landscape, and society, as well as art history, theory, and poetry.

February 22 – March 30, 2024

Hauser & Wirth is pleased to present “Kind of Blue”, the first solo exhibition in the United States dedicated to the Swiss artist Verena Loewensberg. In her work, structured oil compositions are animated by wide-ranging color and shape, yielding a precise yet poetic art.

February 21 – April 27, 2024

Ross + Kramer is pleased to announces En Iwamura’s fifth solo exhibition with the gallery, entitled “Yama-Asobi”. The exhibition includes 40 new ceramic sculptures and 8 works on paper.

February 15 – March 10, 2024

KÖNIG is pleased to present “POST-ARTIFICIAL PAINTINGS”, a solo exhibition by Amir Fattal. He stands at the forefront of blending generative artificial intelligence with traditional art forms.

February 15 – March 16, 2024

Venus Over Manhattan is pleased to present “Pole Position”, a solo exhibition of new paintings by artist Michael Kagan. This work represents a significant shift for Kagan, diverging from the depictions of astronauts, spacecrafts, cockpits, and mountaintops which first brought him acclaim.

February 15 – March 9, 2024

Pace is pleased to present “Time Lapse”, an exhibition of figurative paintings by eight Korean artists. The group of artists in the show includes Jungwook Kim, Jinhee Kim, Noah Ryu, Gwangsoo Park, Suh Yongsun, Woosung Lee, Jaeheon Lee, and Soojung Jung.

February 15 – March 13, 2024

White Cube is pleased to present an exhibition by Sergej Jensen. Wavering between abstraction and legibility Jensen’s highly formal and material-oriented work from the past 20 years is shown here together, providing a reflective narrative on the medium of painting within his practice.

February 14 – March 24, 2024

McClodden interrogates the critical activation point bridging the conditions of witnessing and intuiting, mercy and subjugation, enlisting metaphorical devices to explore the endurances of being human.

February 14 – March 24, 2024

Half Gallery is pleased to announces “If the Hoarfrost Could Speak“ by the artist Ian Felice. The exhibition marks Ian Felice’s first proper NYC gallery debut.

February 13 – March 13, 2024

Conner O’Leary’s new paintings take us on a road trip from Governors Island to northern New Mexico. Like many who set off in search of the ideal, we arrive to find that there is “Nothing, here.”

February 13 – March 13, 2024

Almine Rech presents Ha Chong-Hyun’s solo exhibition with the gallery at Gstaad. Ha Chong-Hyun is a founding member of the avant-garde movement Dansaekhwa.

February 12 – March 15, 2024

Green Family Art Foundation is pleased to present “No Storm Was Ever Quite So Fierce“ by the British artist Daisy Parris in the foundation’s Spotlight Gallery.

February 10 – May 12, 2024

Brooklyn Museum presents “Giants“, art from the Dean Collection featuring Gordon Parks, Jean-Michel Basquiat, Lorna Simpson, Kehinde Wiley and Nina Chanel Abney.

February 10 – July 7, 2024

Gagosian announces “The Machine Age”, an exhibition of new sculptures by Carol Bove. Since the early 2000s, Bove has focused on the interdependence of artworks and their contexts.

February 9 – March 24, 2024

Gagosian is pleased to announce “Ruminations” by Frank Gehry, the exhibition presents new sculptures and works on paper by the artist.

February 8 – April 6, 2024

VILLAZAN announces “Glimpses of Infatuation”, the New York debut solo exhibition for American artist Jared Brook featuring a suite of new paintings.

February 8 – February 24, 2024

Skarstedt is pleased to announce “Network”, a show that traces the grid’s formal possibilities as an avenue through which to grasp and represent the world. Featuring works by John Baldessari, Georg Baselitz, George Condo, Günther Förg, Martin Kippenberger, Yayoi Kusama, Sigmar Polke, Rosemarie Trockel, Günther Uecker, Sue Williams, and Christopher Wool.

February 8 – March 16, 2024

Lehmann Maupin announces “Walls, Windows and Blood”, the debut of a recent body of work from acclaimed photographer Catherine Opie. In this series Opie turns her lens towards the history and architecture of Vatican City.

February 8 – March 9, 2024

KÖNIG GALERIE is pleased to announce the opening of KÖNIG MEXICO CITY. The inaugural exhibition, “SURREAL SURROUNDINGS”, is dedicated to the Surrealist heritage of Mexico.

February 6 – March 4, 2024

P·P·O·W is pleased to present “verde” by the artist Gerald Lovell at New York. He interweaves memories with daily moments to depict the landscape of life in transition.

February 2 – March 9, 2024