RICHARD PRINCE: BOB DYLAN
Gagosian is pleased to announce Bob Dylan, an exhibition by Richard Prince featuring a trio of large-scale paintings of the singer-songwriter.
February 27 - March 22, 2025
With Dylan’s popularity and influence again in ascendence following the theatrical release of James Mangold’s Oscar-nominated biopic A Complete Unknown (2024), Prince’s work casts a spotlight of a different kind on the Nobel Prize–winning musician by reflecting on the extraordinary resonance of his image.
The three striking ten-foot-square paintings on view in Beverly Hills, which together make up Untitled (Dylan) (2014), show a detail of Jerry Schatzberg’s famous portrait shot of Dylan, which was reproduced on John Berg’s cover design for the 1966 double LP Blonde on Blonde. Dylan’s seventh studio album, the record combines an expansive musicality with a modernist lyrical style and is often ranked as among the greatest ever made. The cover image, which portrays its subject in a dark suede jacket and black-and-white checkered scarf looking directly at the photographer, was taken outside 375 West Street at Morton Street in Manhattan’s meatpacking district. In his interpretation, Prince presents the likeness, which was originally in naturalistic color, in gauzy black-and-white. He also manipulates its already shaky focus to varying degrees, further obscuring its fine detail.
Untitled (Dylan) exemplifies the process of “rephotography” that Prince began using in 1977 to appropriate shots from the commercial realm. A conscious elision of the aims and techniques of traditional image production, the method allows him to undermine the authority of a given visual referent, exposing its inherent fictions and redefining conventional concepts of authorship and originality. In the Dylan images, Prince builds on the slight blurriness of Schatzberg’s shot—reportedly a consequence of shivering brought on by freezing New York weather—by making each inkjet-printed canvas a bit fuzzier than the one that precedes it. This strategy recalls the deliberate indistinctness of Gerhard Richter’s photo-based paintings but was achieved by entirely technological means.
A single panel from Untitled (Dylan) was shown in It’s a Free Concert, Prince’s major exhibition at Kunsthaus Bregenz, Austria, in 2014. The project also included images of and references to other foundational rock and pop acts including Jimi Hendrix and various 1950s doo-wop bands. Its title reinforced the work’s associations with the countercultural scene in which Dylan participated and functioned as a further reminder of the deep and ongoing interconnectedness of visual art and pop music.